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Buffalo Bill–Hon. W. F. Cody; supported by Miss Denier and a strong company, will be at Comstock's Opera House to-morrow night. The New York Herald says: "The Hon. W. F. Cody, better known to fame under his earlier title of Buffalo Bill, has introduced four genuine Indians into the combination of which he is the head, and it is not improbable that they and their race may yet take a leading part in the great work of the elevation of the drama. There are various ways in which the standard of the stage may be raised, and it is not yet certain that the scalping knife and tomahawk are to be despised as reforming influences. Aside from these, however, the Aboriginal has some dramatic qualifications that the profession in general lack. He is far fonder of acting than of talking, for one thing, and though he does not undervalue the influences of dress, and the converse which is with poetic license denominated full dress, he seldom regards these as the full duty of man. He has, in marked degree, the faculty of repose, in which some artists, otherwise excellent, are lamentably deficient. He is not averse to cosmetics, though when he paints he never attempts to make art take the place of nature. Should he volunteer for a 'benefit' performance of any sort, he is not likely to play Romeo or Claude Melnottee, so the theater-going public is likely to be saved from many an oft-told tale. And lastly, his philosophical mind has not absorbed the mysteries of injunction; so when he is billed to appear in anything, there is a reasonable chance that purchasers of tickets to new plays will not be disappointed by beholding old dramatic stand-bys instead of novelties. Room for the Indian, even if he should draw the scalping-knife upon the histrionic battle-field, it is not certain that he will hurt the public as much as he may benefit it."