Page 5
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7 revisions | Whitney Rittscher at Mar 03, 2019 04:59 PM | |
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Page 5At this place Mr. William Cody is playing a star engagement as the personal hero of a four-act drama, written for him by Mr. John A. Stevens, entitled "The prairie Waif." There is rather more body, coherence, and character to this piece than is usual with the boarder dramas in which Buffalo Bill has erstwhile displayed his agile form and flowing hair. His heroic speeches, noble acts, fearless adventures, and crack-shots arouse the packed gallery to the very fever of enthusiasm and win for himself tumults of applause. He Miss Lizzie Fletcher and Miss Connie Thompson are good in their parts, the latter being a sprightly soubretteof a very agreeable manner. Mr. Jule Keen, but for a cold, gives a good bit of character performance as Hans, a German suitor of Sadie,and Mr. Charles makesa roaring, good-natured offset as the Irish lover of the same fortunate maid. The other parts are fairly well cast, so that the support may bereckoned good throughout. The piece is put on the stage in a commendable way, the sets and scenes being very good. It is unneccessary to detail the plot of the piece minutley. These plays invariably have the same adjuncts and accessories. This, however, introduces a girl who was stolen from her parents at an early age, and who happens [word] an heiress. This fact some knavish Mormons discove, and attempt to improveby selling possessionof the girl. Buffalo Bill figures as the rescuer and deffender, and is rewarded by the hand and heart of the enraptured miss. The best of results follow, as a matter of courses, the waif being eventually restored to civilization and her father. Large audiences nightly. Buffalo Bill's Best. The play throughout was fall of interest, and though the scene was laid in the far west, there was nothing rough about it. It is a play much like Frank Mayo's "Davy Crockett," but far more pleasing; the audience roaring and cheering a full accompaniment to the play from beginning to end. Mr. Cody is a refined actor and a magnificent type of manhood. His features and voice are more like those of a man raised in a college, than one reared among the wilds of the western country. The play, having been written for him, gives him an opportunity to show off his talents to advantage. Miss Fletcher, who personated Onita, has for years been a favorite in the theatres where she has taken the part of the leading lady, and is making ne friends throughout the country. Her every action besepak for her the true title of a lady. Jule Keen, as Hans, vas goot. No better German comedian has been here for years. Miss Thompson was just the lady to be on the stage with Hans. The two make a team hard to beat. There is no need of striving to [?]o speak of all the good characters; as we would then have to speak of them all. The company is well selected and we hope that Buffalo Bill will give Aurora another call and reap the harvest he will have awaiting him after last night's performance. His custom is to visit towns where he is known once a year; always with a good company and good play. In that way he gainsthe confience of the people and they pack his houses for him. Aurora can hereafter be counted among the latter. The magnificent orchestra is a big help. BUFFALO BILL. BUFFALO BILL. Buffalo Bill (Hon. W. F. Cody.) BUFFALO BILL. BUFFALO BILL. | Page 5At this place Mr. William Cody is playing a star engagement as the personal hero of a four-act drama, written for him by Mr. John A. Stevens, entitled "The prairie Waif." There is rather more body, coherence, and character to this piece than is usual with the boarder dramas in which Buffalo Bill has erstwhile displayed his agile form and flowing hair. His heroic speeches, noble acts, fearless adventures, and crack-shots arouse the packed gallery to the very fever of enthusiasm and win for himself tumults of applause. He Miss Lizzie Fletcher and Miss Connie Thompson are good in their parts, the latter being a sprightly soubretteof a very agreeable manner. Mr. Jule Keen, but for a cold, gives a good bit of character performance as Hans, a German suitor of Sadie,and Mr. Charles makesa roaring, good-natured offset as the Irish lover of the same fortunate maid. The other parts are fairly well cast, so that the support may bereckoned good throughout. The piece is put on the stage in a commendable way, the sets and scenes being very good. It is unneccessary to detail the plot of the piece minutley. These plays invariably have the same adjuncts and accessories. This, however, introduces a girl who was stolen from her parents at an early age, and who happens [word] an heiress. This fact some knavish Mormons discove, and attempt to improveby selling possessionof the girl. Buffalo Bill figures as the rescuer and deffender, and is rewarded by the hand and heart of the enraptured miss. The best of results follow, as a matter of courses, the waif being eventually restored to civilization and her father. Large audiences nightly. Buffalo Bill's Best. The play throughout was fall of interest, and though the scene was laid in the far west, there was nothing rough about it. It is a play much like Frank Mayo's "Davy Crockett," but far more pleasing; the audience roaring and cheering a full accompaniment to the play from beginning to end. Mr.Cody is a refined actor and a magnificent type of manhood. His features and voice are more like those of a man raised in a college, than one reared among the wilds of the western country. The play, having been written for him, gives him an opportunity to show off his talents to advantage. Miss Fletcher, who personated Onita |
