78

AMUSEMENTS.

BUFFALO BILL.

The devotes to yellow back literature
were out in full force last evening the
attraction being the renowned and famous
Buffalo Bill, in his much advertised Prairie
Waif, which, it is claimed, is an exact
portrayal of border life. By half past 7
o'clock the house was packed from the pit
to the dome with a sort of a mixed audience.
The gods of the sky-parlor were
out in full force, and plied their customary
vocation of yelling and stamping until they
tired themselves. All with anxious expectancy
awaited the commencement of the
blood and thunder drama. W. F. Cody,
Buffalo Bill, took the leading character.
As a government scout he was a brilliant
success, and won for himself many honors
for his bravery and courage; but as an actor
he is a magnificent failure. He possesses
neither the traits of a tragedian or a
comedian, merely talking his part off as a
schoolboy would, but still, when he would
rush on the stage, fire off a pistol, and perhaps
slaughter an innocent red man,
the gallery gods, as well as those seated in
the parquette and dress circle, applauded
till they were hoarse and could yell no
longer. It is well that cody lays no claim
to histrionic ability. Jule Keen, as Hans,
the dutchman, was the most disagreeable
feature of the programme. His mouthings
were most disgusting, and his impersonation
was sappy and soft. Misses
Jennie Gilbert and Nellie Lingard, as
Onita and Sadie respectively, were very
inefficient, producing no effect whatever
by their lines upon the audience. The remainder
of the cast was in accordance
with the above. The Indian war dance, in
which Sin-sa-retch-kaw, Ma-he-ut-un-kaw,
De-co-ray, Hoo-wa-het-fa and Wau-kon-chaw-nik-kaw
participated, would cause a
leather-lunged and calliope throated Zu'u
to be ashamed of his wildest war-hoop,
and done more than infinite credit to a
chorus of carousing locomotives. If Buffalo
Bill possessed a first-class support
his own defects could be overlooked, but
he is surrounded with an inferior class of
men who have no more life or animation
than a cordwood stick. The performance
of the trick donkey, "Jerry," was the
most creditable of the whole entertainment,
which ought to be considered quite
a compliment to the support. The shoot-

AMUSEMENTS.

BUFFALO BILL.

The devotes to yellow back literature were out in full force last evening the attraction being the renowned and famous Buffalo Bill, in his much advertised Prairie Waif, which, it is claimed, is an exact portrayal of border life. By half past 7 o'clock the house was packed from the pit to the dome with a sort of a mixed audience. The gods of the sky-parlor were out in full force, and plied their customary vocation of yelling and stamping until they tired themselves. All with anxious expectancy awaited the commencement of the blood and thunder drama. W. F. Cody, Buffalo Bill, took the leading character. As a government scout he was a brilliant success, and won for himself many honors for his bravery and courage; but as an actor he is a magnificent failure. He possesses neither the traits of a tragedian or a comedian, merely talking his part off as a schoolboy would, but still, when he would rush on the stage, fire off a pistol, and perhaps slaughter an innocent red man, the gallery gods, as well as those seated in the parquette and dress circle, applauded till they were hoarse and could yell no longer. It is well that cody lays no claim to histrionic ability. Jule Keen, as Hands the dutchman, was the most disagreeable feature of the programme. His mouthings were most disgusting, and his impersonation was sappy and soft. Misses Jennie Gilbert and Nellie Lingard, as Onita and Sadie respectively, were very inefficient, producing no effect whatever by their lines upon the audience. The remainder of the cast was in accordance with the above. The Indian war dance, in which Sin-sa-retch-kaw, Ma-he-ut-un-kaw, De-co-ray, Hoo-wa-het-fa and Wau-kon-chaw-nik-kaw participated, would cause a leather-lunged and calliope throated Zu'u to be ashamed of his wildest war-hoop, and done more than infinite credit to a chorus of carousing locomotives. If Buffalo Bill possessed a first-class support his own defects could be overlooked, but he is surrounded with an inferior class of men who have no more life or animation than a cordwood stick. The performance of the trick donkey, "Jerry," was the most creditable of the whole entertainment, which ought to be considered quite a compliment to the support. The shoot-