| 172[?] gave an
[?] 31st, called " The
[?] presented the spoo-
[?] humanity [?] from
[?] society. Whistling mas-
[?] foreign to the interior of Niblo's
[?] dominated in the upper tier, while the lower floors
were rendered impassable by the better class of in-
[?] [?] hunters. Feminine hats and
feathers dotted the orchestra chairs and dress circle,
indicationg that the auditorium was not exclusively
occupied by the genus [?]. The curtain rose
promptly at eight on a string of pleasentries which, in
the natural fitness of things, proved to be
a contrast to the terrible sensation of the evening.
" The Broken Bank; or, a rough Corner in New
York" a novel specimen of amateur farce-writting.
[?] rendered in a manner that indicated how [?]
it had impressed the actores. After this preparatory
[?] the orchestra played a brilliant overture and the
curtain went up on a very pretty rock set scene with
[?] mountains in perspective. It would be [?]-
[?] to attempt a criticism of Buffalo Bill, Texas Jack,
[?] Buntline, or the Pawnee savages. They are [?]
[?], but simply natural curiosities that the public
[?] to see. The piece is also beyond the
pale of review, as it merely serves as a ve-
[?] for exhibiting three noted individuals
whose lives and habits have been semi-aboriginal, and
who only propose to illustrate on the stage of a civilized
theatre the scene enacted by them in the savage bun-
ting [?] of the red man. were these [?] actors.
they would avoid the error of indulging in long moral
platitudes, or the grave offence of [?] ride es-
[?] [?]. The heroes of the current sensation are
what they profess, trappers, guides and scouts,
and have every reason to be gratified whith the
ovation which has greeted them in this city.
The cast, with the above exceptions, bore the names
of some very fair actors, who were evidently embar-
essed by the limited scope afforded them. With the
ladies, however, the case was entirely different. There
are two notable female parts, Harsl-eye and Dove-eye.
Miss Eloa Carfano, in the former, seemed to have im-
[?] the condensed emene of tragic queens since
the days of the elder Siddous. Her "r's" were
sharply pronounced, and rolled with the precision of a
first-class snare-drummer, Eddy and McKean Ba-
ehanan in their palmy days could not com-
pare in tragic expression with Elos Carfano.
She was occasionally applauded by some of
the audience, who remembered the nights
when their souls were similarly stirred
at the old National and Chathem Theatre. Miss Mor-
lacchi personated a gently Indin maden with a
stongly marked Italian accent, coupled with decidedly
[?] abilities. She was fortunate in being
assigned a role that was unobtrusive and [?].
The Indians performed their scalp and war dances
in the highest style of aboriginal art. The scenery
was very good, notably the final picture of a [?] on
[?]; the incidental musical hurries were once the
property of Balfe's "Bohemian Girl;" the remainder
of the cast impersonated original characters from
other well-known sensation plays. Curiosity to see so
singular a party will unquestionably create a popular
desire to witness what has never been given in New
York before, nor is likely to be offered again during
the current century. On the 14th, the celebrated
"Yoker" family will make their first appearance in
their renowned [?] for two weeks only.
[illegible line] | 172[?] gave an
[?] 31st, called " The
[?] presented the spoo-
[?] humanity [?] from
[?] society. Whistling mas-
[?] foreign to the interior of Niblo's
[?] dominated in the upper tier, while the lower floors
were rendered impassable by the better class of in-
[?] [?] hunters. Feminine hats and
feathers dotted the orchestra chairs and dress circle,
indicationg that the auditorium was not exclusively
occupied by the genus [?]. The curtain rose
promptly at eight on a string of pleasentries which, in
the natural fitness of things, proved to be
a contrast to the terrible sensation of the evening.
" The Broken Bank; or, a rough Corner in New
York" a novel specimen of amateur farce-writting.
[?] rendered in a manner that indicated how [?]
it had impressed the actores. After this preparatory
[?] the orchestra played a brilliant overture and the
curtain went up on a very pretty rock set scene with
[?] mountains in perspective. It would be [?]-
[?] to attempt a criticism of Buffalo Bill, Texas Jack,
[?] Buntline, or the Pawnee savages. They are [?]
[?], but simply natural curiosities that the public
[?] to see. The piece is also beyond the
pale of review, as it merely serves as a ve-
[?] for exhibiting three noted individuals
whose lives and habits have been semi-aboriginal, and
who only propose to illustrate on the stage of a civilized
theatre the scene enacted by them in the savage bun-
ting [?] of the red man. were these [?] actors.
they would avoid the error of indulging in long moral
platitudes, or the grave offence of [?] ride es-
[?] [?]. The heroes of the current sensation are
what they profess, trappers, guides and scouts,
and have every reason to be gratified whith the
ovation which has greeted them in this city.
The cast, with the above exceptions, bore the names
of some very fair actors, who were evidently embar-
essed by the limited scope afforded them. With the
ladies, however, the case was entirely different. There
are two notable female parts, Harsl-eye and Dove-eye.
Miss Eloa Carfano, in the former, seemed to have im-
[?] the condensed emene of tragic queens since
the days of the elder Siddous. Her "r's" were
sharply pronounced, and rolled with the precision of a
first-class snare-drummer, Eddy and McKean Ba-
ehanan in their palmy days could not com-
pare in tragic expression with Elos Carfano.
She was occasionally applauded by some of
the audience, who remembered the nights
when their souls were similarly stirred
at the old National and Chathem Theatre. Miss Mor-
lacchi personated a gently Indin maden with a
stongly marked Italian accent, coupled with decidedly
[?] abilities. She was fortunate in being
assigned a role that was unobtrusive and [?].
The Indians performed their scalp and war dances
in the highest style of aboriginal art. The scenery
was very good, notably the final picture of a [?] on
[?]; the incidental musical hurries were once the
property of Balfe's "Bohemian Girl;" the remainder
of the cast impersonated original characters from
other well-known sensation plays. Curiosity to see so
singular a party will unquestionably create a popular
desire to witness what has never been given in New
York before, nor is likely to be offered again during
the current century. On the 14th, the celebrated
"Yoker" family will make their first appearance in
their renowned [?] for two weeks only.
[illegible line] |