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"Buffalo Bill,"-This mighty man of valor appeared at the Opera House, last night, with two young ladies, a dozen white men, and a band of alleged Cheyenne Indian Chiefs. The upper part of the house was crowded to suffocation, the boys in the negro paradise literally standing on top of each other in order to get a view of the stage and the wonderful performance going on there. The balcony was also crowded, and the parquette and dress circles were better filled than is usual when meritorious plays are presented. The piece which the Buffalo Bill Combination went through with was "The Prairie Waif," said to have been written by John A. Stevens. The assertion is probably true, or Mr. Stevens certainly would have published an indignant denial of the authorship, long before this. "Buffalo Bill" is of course the play, though he is by no means the star. He is, in fact, the worst performer in the cast, with the exception, perhaps, of Robert Neil, as "Gen. Brown." "Buffalo Bill" may be a very great man, but if he were half as great as he evidently imagines he is, he would find it a very difficult matter to ove about on the stage of the Wheeler Opera House, or any other. "Buffalo Bill" May be a tremendous Indian fighter and a first-class scout, but he is no actor. He may thank his lucky stars that he is not, for good actors rarely draw such crowds as almost invariably flock to witness performances of the Hon. William F. Cody. "The Prairie Waif," is said to be made up of scenes that have actually occurred in "Bill's" experience. Were this not so, the probability of one man quelling into submission a band of 12 or 14 ruffians, armied to the teeth, might be doubted. But "Buffalo Bill," of course, is no ordinary man. Jule Keen, as "Hans" acquitted hiself very creditably, and the two young ladies, Misses Lizzie Fletcher and Carrie Thompson performed their respective parts well. C.W. Charles and R.C. White, as "Capt. Russell" and "Mark Stanley" are also deserving commenation. The less said about the other performers, the better.