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"The Scouts of the Plains." - As a general rule only that class of the amusement patronizers of a city attend the production of dramas bearing such formidable titles as the "Scouts of the Plains or Red Deviltry as it Is." "Wrestling Joe," etc., except those whose peculiar tastes lean in that direction and hanker for an experience of the sensational, and are bound to be satisfied with the enertainment so long as the requisite number of persons are murdered in the drama, enough hair-breadth escapes occur and blood and thunder, generally prevail. Thus it is that "Buffalo Bill" and his fearless followers invariably give such unbounded satisfaction. As a scout and heroic frontiersman "Bill" was, and is, doubtless, [unexoclied?], but ho possesses very little dramatic talent or ability. Much of his acting is yet crude and unnatural, which can only be overcome by diligent study and faithful practice. But, these inconsistencies to the contrary notwithstanding, the audience derived an immense amount of satisfaction from the play last evening and witnessed the happy finale of the drama, including the triumphant overthrow of the villain of the piece and the frustration of his devilish schemes, with intense gratification. The countless murders and desperate encounters in which "Bill" particpated in and invariably came off victor, aroused the utmost enthusiasm, and as some extraordinary coup d'etat was consummated excitement ran high and burst forth in deafening applause. Powder and ball were bountifully distributed and rifle shots and bowie knife encounters agreeably intermingled. Burning at the stake, the scouts' bivouac, the savages' war dance, the hunter's cabin and other concomitants of frontier life were quite naturally represented, and gave the pale faces some